{"id":19213,"date":"2019-10-02T22:39:01","date_gmt":"2019-10-02T20:39:01","guid":{"rendered":"https:\/\/uruloki.org\/felipeblog\/?p=19213"},"modified":"2019-10-02T22:39:01","modified_gmt":"2019-10-02T20:39:01","slug":"the-gentlemen-el-cine-de-gangsters-que-guy-ritchie-quiere-volver-a-ver-nacer","status":"publish","type":"post","link":"https:\/\/www.uruloki.org\/felipeblog\/cine\/the-gentlemen-el-cine-de-gangsters-que-guy-ritchie-quiere-volver-a-ver-nacer","title":{"rendered":"The Gentlemen, el cine de g\u00e1ngsters que Guy Ritchie quiere volver a ver nacer&#8230;"},"content":{"rendered":"<p><strong>Guy Ritchie<\/strong> regresa, ese <strong>Guy Ritchie<\/strong>. Con <strong>The Gentlemen<\/strong> el director brit&aacute;nico pretende volver a ser el mismo que pari&oacute; ese par de joyas tituladas <strong>Lock &amp; Stock<\/strong> (<em>Lock, Stock and Two Smoking Barrels<\/em>) y <strong>Snatch: Cerdos y diamantes<\/strong> (<em>Snatch<\/em>), que mantuvo su marca con <strong>Revolver<\/strong> y <strong>RocknRolla<\/strong>, y que se pas&oacute; al <em>blockbuster<\/em> por la puerta grande reinventando el g&eacute;nero, <strong>Sherlock Holmes<\/strong>, para comenzar a estancarse con <strong>Sherlock Holmes: Juego de sombras<\/strong> (<em>Sherlock Holmes: A Game of Shadows<\/em>), <strong>Operaci&oacute;n U.N.C.L.E.<\/strong> (<em>The Man from U.N.C.L.E.<\/em>), <strong>Rey Arturo: La leyenda de Excalibur<\/strong> (<em>King Arthur: Legend of the Sword<\/em>), y  <strong>Aladdin<\/strong>. El bueno de Ritchie a&ntilde;ora el cine de g&aacute;ngsters, el cine de dientes de oro, de macarras, de tr&aacute;fico de drogas, de l&iacute;os infinitos y jugarretas imposibles. Eso pretende ser <strong>The Gentlemen<\/strong>, y esperemos que lo consiga. Mimbres los tiene, los suyos propios, y el reparto que le acompa&ntilde;a&#8230; carajo. <strong>Matthew McConaughey<\/strong>, <strong>Charlie Hunnam<\/strong>, <strong>Henry Golding<\/strong>, <strong>Michelle Dockery<\/strong>, <strong>Jeremy Strong<\/strong>, <strong>Eddie Marsan<\/strong>, <strong>Colin Farrel<\/strong> y <strong>Hugh Grant<\/strong>.<\/p>\n<div class=\"video\"><iframe loading=\"lazy\" width=\"100%\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2B0RpUGss2c\" allowfullscreen=\"true\"><\/iframe><\/div>\n<p>En <strong>The Gentlemen<\/strong>, m&aacute;s o menos, el capo de la droga <em>Mickey Pearson<\/em> (<strong>McConaughey<\/strong>), estadounidense con un marcado estilo brit&aacute;nico, intenta vender su imperio de marihuana a una dinast&iacute;a de multimillonarios procedentes de Oklahoma. Cuando se corre la voz de su pretendida partida se desencadenan tramas, planes, sobornos y chantajes en un intento de robarle su dominio&#8230;<\/p>\n<p class=\"centrado\"><img decoding=\"async\" src=\"\/felipeblog\/imagenes2019\/20191002-the-gentlemen.jpg\" alt=\"The Gentlemen... el primer p&oacute;ster\"><br \/><em>The Gentlemen&#8230; el primer p&oacute;ster<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guy Ritchie regresa, ese Guy Ritchie. Con The Gentlemen el director brit&aacute;nico pretende volver a ser el mismo que pari&oacute; ese par de joyas tituladas Lock &amp; Stock (Lock, Stock and Two Smoking Barrels) y Snatch: Cerdos y diamantes (Snatch), que mantuvo su marca con Revolver y RocknRolla, y que se pas&oacute; al blockbuster por [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[4399],"class_list":["post-19213","post","type-post","status-publish","format-standard","hentry","category-cine","tag-the-gentlemen"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Gentlemen, los g\u00e1ngsters que Guy Ritchie quiere volver a ver nacer<\/title>\n<meta name=\"description\" content=\"Guy Ritchie regresa, ese Guy Ritchie. 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